05.01.25
Digital Platforms and Art Today

Let’s start with a simple truth: once upon a time, if you were an artist, you had two options – gallery or bust. If you didn’t know a curator, a collector, or a guy who knew that guy, good luck getting your work seen. But fast-forward to today, and the game has changed – completely.
Digital platforms haven’t just disrupted the art world. They’ve thrown it into a spin, pirouetted it across the internet, and handed the spotlight to creators who used to be stuck backstage. And frankly, it’s about time.
From White Walls to Worldwide Feeds
Instagram. Behance. Etsy. TikTok. Even LinkedIn, surprisingly. These aren’t just platforms anymore – they’re art galleries with scroll bars. Artists now showcase their work directly to audiences, unfiltered and unframed, sometimes quite literally. A painter in Nairobi can find fans in New York. A digital collage made in Seoul can go viral in Berlin. Geography? Optional.
No need for velvet ropes or whispered critiques. Just hit “post.”
The New Middlemen (Spoiler: They’re Algorithms)
Of course, the gatekeepers didn’t disappear – they just changed form. Now it’s the algorithm deciding who gets seen. It’s fickle, mysterious, and allergic to consistency. But artists are learning to dance with it, treating it like an eccentric curator who sometimes wants cat videos and sometimes wants high-concept video art shot on a flip phone.
Still, the upside? Access. Lots of it. No MFA? Doesn’t matter. If your work resonates, it finds its people.
Monetizing Creativity, One Click at a Time
Let’s talk money – because yes, artists need to eat too.
Digital platforms have opened new revenue streams. Patreon lets fans fund creators monthly. Gumroad, Ko-fi, and Substack offer digital storefronts for zines, illustrations, and exclusive content. NFTs had their five minutes of fame (and for some, a decent payday), and who knows – maybe they’ll evolve into something more sustainable.
It’s not all sunshine and sales, of course. There’s a hustle involved, a pressure to constantly create, engage, post, repeat. But the autonomy? Worth it.
Community Over Clout (Well, Sometimes)
Here’s something beautiful: the sense of community. Artists lifting each other up, sharing tips, collaborating across borders, teaching, mentoring. It’s not all about the numbers. It’s about connection. It’s about art that says something and people who respond with more than just emojis (though we love a good 🔥).
The digital age has made art more democratic, more diverse, and, dare I say, more fun.
So, What Now?
We’re still figuring it out. The landscape shifts daily. Platforms rise and fall. But one thing’s clear: digital is no longer the future of art – it’s the now. Whether you’re a painter, a poet, a pixel-pusher, or just someone who loves staring at a well-lit image on a phone screen, your part of it.
And that’s kind of amazing.
By Someone Who’s Seen It All (and Still Loves a Good JPEG) Momina Yasir

Let’s start with a simple truth: once upon a time, if you were an artist, you had two options – gallery or bust. If you didn’t know a curator, a collector, or a guy who knew that guy, good luck getting your work seen. But fast-forward to today, and the game has changed – completely.
Digital platforms haven’t just disrupted the art world. They’ve thrown it into a spin, pirouetted it across the internet, and handed the spotlight to creators who used to be stuck backstage. And frankly, it’s about time.
From White Walls to Worldwide Feeds
Instagram. Behance. Etsy. TikTok. Even LinkedIn, surprisingly. These aren’t just platforms anymore – they’re art galleries with scroll bars. Artists now showcase their work directly to audiences, unfiltered and unframed, sometimes quite literally. A painter in Nairobi can find fans in New York. A digital collage made in Seoul can go viral in Berlin. Geography? Optional.
No need for velvet ropes or whispered critiques. Just hit “post.”
The New Middlemen (Spoiler: They’re Algorithms)
Of course, the gatekeepers didn’t disappear – they just changed form. Now it’s the algorithm deciding who gets seen. It’s fickle, mysterious, and allergic to consistency. But artists are learning to dance with it, treating it like an eccentric curator who sometimes wants cat videos and sometimes wants high-concept video art shot on a flip phone.
Still, the upside? Access. Lots of it. No MFA? Doesn’t matter. If your work resonates, it finds its people.
Monetizing Creativity, One Click at a Time
Let’s talk money – because yes, artists need to eat too.
Digital platforms have opened new revenue streams. Patreon lets fans fund creators monthly. Gumroad, Ko-fi, and Substack offer digital storefronts for zines, illustrations, and exclusive content. NFTs had their five minutes of fame (and for some, a decent payday), and who knows – maybe they’ll evolve into something more sustainable.
It’s not all sunshine and sales, of course. There’s a hustle involved, a pressure to constantly create, engage, post, repeat. But the autonomy? Worth it.
Community Over Clout (Well, Sometimes)
Here’s something beautiful: the sense of community. Artists lifting each other up, sharing tips, collaborating across borders, teaching, mentoring. It’s not all about the numbers. It’s about connection. It’s about art that says something and people who respond with more than just emojis (though we love a good 🔥).
The digital age has made art more democratic, more diverse, and, dare I say, more fun.
So, What Now?
We’re still figuring it out. The landscape shifts daily. Platforms rise and fall. But one thing’s clear: digital is no longer the future of art – it’s the now. Whether you’re a painter, a poet, a pixel-pusher, or just someone who loves staring at a well-lit image on a phone screen, your part of it.
And that’s kind of amazing.
By Someone Who’s Seen It All (and Still Loves a Good JPEG) Momina Yasir